Dungeon Dive Video Archive Update

The Modern Shelf, Part One — January to May 2024

The Keeper does most of its work at the far end of the stacks, where the dust has settled into strata and nothing has been disturbed since the channel was young. This cycle it was sent, with some ruffling, to the shelf nearest the door.

That shelf is not properly an archive at all. It is where the archivist sets down things he has only just finished with, still warm from the table, before deciding where they belong. In the spring of 2024 he was setting things down at a rate the Keeper considers unseemly: a Kickstarter delivered, a review copy accepted, a used copy stalked for two years on eBay and finally run to ground. Twelve of them are catalogued below. Six more wait for the next cycle.

What the Keeper noticed, shelving them, is how few of these boxes he actually loved. The dwarves, certainly; he is not subtle about the dwarves. The climbing game, with a caveat about his own nerves. The dinosaur one, for twenty dollars and a rulebook he calls really, really bad. But the rest hang in a more interesting register: a sealed-and-approved wizard he nearly did not review at all, a labyrinth he lost three times on camera, a skirmish game he thinks excellent and one of whose decks he thinks should not have been printed. This is what a modern shelf looks like before time has sorted it. The Keeper, whose whole trade is the sorting, finds it instructive to watch the process from the wrong end.

The wing opens with a preview: a man under the weather, laying out a table of unopened things and promising to get to them. Several of those promises are kept further along the shelf. The Keeper has noted which, and declines to say.

Five older panels hang in the same room, because the archivist would want them there: the guide to the dungeon these investigators walked out of, the small town that leads to the eldritch one, the pilgrim who preceded the doom, the year’s best-of that crowned two of these boxes, and the expansion that made the dwarves perfect. The Keeper has stopped distinguishing the new panels from the old, and recommends the reader do the same.

Exhibit Catalogue — earliest first:

817 transcripts • 896 posts archived

– The Keeper
Has never understood why the shelf nearest the door is called modern, when it is merely where the past has not yet been informed of its condition.